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'FutureSex/LoveSound' is a song recorded by American singer and songwriter Justin Timberlake for his second studio album, FutureSex/LoveSounds (2006). It was written and produced by Timberlake, Timothy 'Timbaland' Mosley and Nate 'Danja' Hills. The song was produced following Timberlake's two-year hiatus from the music industry, when he felt 'burnt out' after the release of his debut solo album Justified in 2002. 'FutureSex/LoveSound' incorporates elements of new wave and industrial rock into its production. 'FutureSex/LoveSound' peaked at number 13 on the BillboardBubbling Under Hot 100 Singles chart. It was included on the set list of Timberlake's second worldwide tour FutureSex/LoveShow (2007).

Background and production[edit]

After the release of his debut solo album Justified in 2002, Timberlake thought he 'lost his voice' in the sense that he did not like what he was doing.^[2] He felt 'burnt-out' after Justified; this partly changed his career's direction, and he took a break from the music industry and instead appeared in films.^[2] The first role he took during this time was as a journalist in the thriller Edison Force, filmed in 2004 and released on July 18, 2006.^[3] He also appeared in the films Alpha Dog, Black Snake Moan, Richard Kelly's Southland Tales, and voiced Prince Artie Pendragon in the animated film Shrek the Third, released on May 18, 2007.^[4]

When he felt inspired to compose songs again, he did not choose to reunite with his former band 'NSYNC, although he considered it after his first record.^[5] Instead, he went to Justified collaborator Timothy 'Timbaland' Mosley's studio in Virginia Beach, Virginia to begin sessions for his second album.^[2][6] However, neither of them had an idea of what the album would be–no plan for it and even a title.^[6] 'FutureSex/LoveSound' was written and produced by Timbaland, Nate 'Danja' Hills and Timberlake himself.^[7] The song was recorded by Jimmy Douglas, while its mixing was done by Douglas with Timbaland at The Hit Factory Criteria in Miami. The keys were played by Danja, who also provided the drums with Timbaland.^[7] Paul Blake played the guitar and Timberlake sang the background vocals.^[7]

Composition[edit]

'FutureSex/LoveSound' incorporates elements of new wave and industrial rock into its production.^[8] It was written in the key of F#minor, in common time, with a tempo of 104 beats per minute.^[9] Timberlake's vocal range spans from the low note of A₃ to the high note of G#₅.^[9] Timberlake sings in a 'muted whisper slink' and his distorted voice 'drones' over a 'very produced' beat.^[10][11] Bernard Zuel of The Sydney Morning Herald stated that Timberlake morphs into 'Michael Hutchence at his most lizard-like'.^[12] According to Spence D. of IGN, the beat is a 'throwback from the future past of disco's demented dimension'.^[11]

Justin Timberlake Songs

The song contains a 'rolling' synth bassline and 'truncated' percussion, that according to Zuel, comes across as both 'alluring and ever-so-slightly sinister'.^[12] It contains 'slow breaks', that according to Jamil Ahmad of musicOMH, 'wrap this record round you like walking into an exclusive club with a million dollar sound system – you know you are going to have one of those nights'.^[13] The pace of the song changes with its chorus, which Mikey MiGo cited as being 'a bit off setting'.^[10]

'FutureSex/LoveSound' is 'brimming over with attitude, sharp beats and rhythm', according to Linda McGee of RTÉ.ie.^[14] The song, which was described as being 'suavely portentous' by Pitchfork Media's Tim Finney, was cited as being a mixture between 'the carnal strut' of Nine Inch Nails' 'Closer' and the 'masochistic flutter' of the Junior Boys.^[15] Finney said the song 'derives its charm' from its 'lofty' aspirations, 'like a familiar lover staging an elaborately exaggerated seduction'.^[15] According to Alexis Petridis of The Guardian, 'FutureSex/LoveSound' and the other opening songs of the album are heavily influenced by David Bowie's Diamond Dogs (1974).^[16] The song sounds 'horny' which can be seen through the lines 'Slide a little bit closer to me, little girl / Daddy’s on a mission to please.'^[17] The chorus of the song reminded 411mania's Mikey MiGo of Prince's 'New Power Generation'.^[10]

Critical response[edit]

Mikey MiGo of 411mania wrote that the song is a 'welcomed change' from Timberlake's past work. She stated that the song 'has qualities of Prince that I've never seen anyone muster up before'.^[10] Amanda Murray of Sputnikmusic called the song 'musically and melodically great', but criticized its lyrics.^[18] She wrote that the lyrics sound like the dialogue of a 'low-rent porn film', highlighting the lines: 'She's pressed up on me; I think she's ready to blow?' and 'All I need is a moment alone, to give you my tongue and get you out of control'.^[18] According to Murray, 'It makes one question exactly what films Timberlake was starring in during his sabbatical.'^[18] She concluded that 'FutureSex/LoveSound' establishes a pattern for the rest of FutureSex/LoveSounds: 'infectiously catchy and in many cases accomplished pop music, marred by retardedly retarded lyrics'.^[18]

In a review of FutureSex/LoveSounds, Ben Williams of New York cited the album's first five tracks, including 'FutureSex/LoveSound', as updating the early 1980s Minneapolis sound: 'tense drum machines, high-pitched synth squiggles and staccato funk bass lines'.^[19] While reviewing the album, Stephen Thomas Erlewine of Allmusic noted that the first three songs of the album include the word 'sex' in their titles, 'as if mere repetition of the word will magically conjure a sex vibe, when in truth it has the opposite effect: it makes it seem that Justin is singing about it because he's not getting it.'^[20] Lucy Davies of BBC Music stated that it is initially 'difficult to listen to the lyrics of the opening tracks and give an objective opinion'. She wrote that it is like Timberlake is 'trying to find redeemable qualities about some guy who has zero social skills and stares at women on his own from the corner of a bar. Only he seems to have found some similarly unreconstructed creepy friends shouting words of encouragement to his clunky chat-up lines, like Timbaland'.^[21]

All Justin Timberlake Songs

Live performances[edit]

Futuresex Lovesounds Zip

'FutureSex/LoveSound' was used as the opening song on Timberlake's FutureSex/LoveShow in 2007.^[22] His performance in New York City is featured on the singer's video album FutureSex/LoveShow: Live from Madison Square Garden (2007).^[23] Timberlake performed the song at DIRECTV Super Saturday Night on February 2, 2013 in New Orleans.^[24] Prior to the 2013 Grammy Awards, Timberlake held a concert at the Hollywood Palladium in Los Angeles.^[25] The singer performed 'FutureSex/LoveSound' in a medley with 'Need You Tonight' (1987) by INXS and his single 'LoveStoned/I Think She Knows' (2007).^[25]

Credits and personnel[edit]

Recording and mixing

• Recorded at Thomas Crown Studios, Virginia Beach; mixed at The Hit Factory Criteria, Miami, FL.

Personnel

Credits adapted from the liner notes of FutureSex/LoveSounds, Jive Records.^[7]

Charts[edit]

Following the release of the album, 'FutureSex/LoveSound' did not enter the US BillboardHot 100, but peaked at number 13 on the Bubbling Under Hot 100 Singles chart.^[26]

References[edit]

1. ^https://books.google.com/books?id=8iYEAAAAMBAJ&pg=PA142
2. ^ ^abcVineyard, Jennifer (February 9, 2007). 'Road to the Grammys: Justin Wanted To Channel Coldplay On FutureSex/LoveSounds'. MTV News. Viacom. Retrieved May 30, 2012.
3. ^Susman, Gary (February 10, 2004). 'Consolidated 'Edison''. Entertainment Weekly. Time division of Time Warner. Retrieved May 30, 2012.
4. ^'Voice cast announced for Shrek The Third'. Mania. Archived from the original on April 14, 2008. Retrieved May 31, 2012.
5. ^Moss, Corey. 'Justin's Future Shock'. MTV. Viacom. Archived from the original on November 6, 2012. Retrieved May 30, 2012.
6. ^ ^abVineyard, Jennifer (February 8, 2008). 'Justin Timberlake's Fooling 'Around' Resulted In Award-Nominated Song: Behind The Grammys'. MTV News. Viacom. Archived from the original on September 29, 2011. Retrieved May 30, 2012.
7. ^ ^abcdFutureSex/LoveSounds (inlay cover). Justin Timberlake. Jive Records. 2006.CS1 maint: others (link)
8. ^ ^abCaramanica, Jon (October 2006). 'Justin Timberlake: FutureSex/LoveSounds'. Vibe. 14: 142. ISSN1070-4701. Retrieved September 11, 2011.
9. ^ ^ab'Justin Timberlake – Futuresex/Lovesound – Digital Sheet Music'. Musicnotes.com. Universal Music Publishing. Retrieved February 17, 2013.
10. ^ ^abcdMiGo, Mikey (September 21, 2006). 'Justin Timberlake – FutureSex/LoveSounds Review'. 411 Mania. Archived from the original on January 8, 2009. Retrieved February 17, 2013.
11. ^ ^abD, Spence (September 14, 2006). 'Justin Timberlake – Futuresex/Lovesounds'. IGN. Ziff Davis. Retrieved February 17, 2013.
12. ^ ^abZuel, Bernard (September 16, 2006). 'Futuresex/Lovesounds - CD Review - Music - Entertainment'. The Sydney Morning Herald. Fairfax Media. Retrieved February 18, 2013.
13. ^Ahmad, Jamil (September 11, 2006). 'Justin Timberlake – FutureSex / LoveSounds'. musicOMH. Retrieved February 17, 2013.
14. ^McGee, Linda (October 12, 2006). 'Justin Timberlake – FutureSex/LoveSounds'. RTÉ.ie. Raidió Teilifís Éireann. Retrieved January 17, 2013.
15. ^ ^abFinney, Tim (September 13, 2006). 'Justin Timberlake – FutureSex/LoveSounds'. Pitchfork Media. Retrieved February 17, 2013.
16. ^Petridis, Alexis (September 8, 2006). 'CD: Justin Timberlake, FutureSex/LoveSounds'. The Guardian. Guardian News and Media. Retrieved February 18, 2013.
17. ^Schwartz, Barry (September 12, 2006). 'Justin Timberlake - FutureSex/LoveSounds - Review'. Stylus Magazine. Archived from the original on October 7, 2012. Retrieved February 18, 2013.
18. ^ ^abcdMurray, Amanda (September 17, 2006). 'Justin Timberlake – FutureSex/LoveSounds'. Sputnikmusic. Retrieved February 17, 2013.
19. ^Williams, Ben (September 11, 2006). 'The Men Who Would Be Prince'. New York. New York Media, LLC. Retrieved February 17, 2013.
20. ^Erlewine, Stephen Thomas. 'Justin Timberlake - FutureSex/LoveSounds'. Allmusic. Rovi Corporation. Retrieved February 18, 2013.
21. ^Davis, Lucy (March 11, 2006). 'Justin Timberlake Futuresex/Lovesounds Review'. BBC Music. BBC. Retrieved February 18, 2013.
22. ^'Australia reviews give SexyBack singer the thumbs up'. The New Zealand Herald. APN News & Media. November 21, 2007. Retrieved February 17, 2013.
23. ^'Futuresex / Loveshow - Live from Madison Square Garden (2008)'. Amazon.com (US). Amazon Inc. Retrieved February 17, 2013.
24. ^Rawls, Alex (February 3, 2013). 'Justin Timberlake Pulls Off an Easy Comeback in New Orleans'. Rolling Stone. Jann Wenner. Retrieved February 17, 2013.
25. ^ ^abBarker, Andrew (February 10, 2013). 'Justin Timberlake'. Variety. Penske Business Media. Retrieved February 18, 2013.
26. ^ ^ab'Bubbling Under Hot 100 – Issue Date: 2006-09-30'. Billboard. Prometheus Global Media. Retrieved February 17, 2013.

Futuresex Loveshow

FutureSex/LoveSounds review

Justin Timberlake’s new triumph

After the success of the 2002’s debut solo album Justified the former ‘NSync front singer Justin Timberlake has taken some rest before releasing a sophomore effort. This year producers Timbaland, Rick Rubin and the Black Eyed Peas’ Will.i.am have joined him in recording the album called Futuresex/Lovesounds, a 13 tracks long record, most of which are written by Justin himself. Having a keen sense of the contemporary pop innovations and a clear understanding of what the audience is expecting from him, Timberlake has managed to create a quality collection of sultry ballads and stylish club numbers, filling them with his own vision of pop and R&B music. The fans will be happy to hear his falsetto vocals on the largest parts of the tracks, and to mark Justin’s growth into a mature young man sure of himself especially when it comes about the relations with the opposite sex. On Futuresex/Lovesounds the pop, R&B, funk, soul and rock music of the 1980s combines with the modern trends of production and studio processing, and Justin Timberlake’s singing reechoes the performace manner of Prince and a bit of young James Brown. This is the singer’s new triumph outshining the debut creation and an album that is going to be one of the best pop and R&B records this year.

The key topics on Futuresex/Lovesounds are love games, relations and mere sex

Justin Timberlake’s image has been always associated with sex appeal and seductive looks, and with the release of the new album the artist’s voice gains even hotter sounding. The key topics on Futuresex/Lovesounds, as it is clear from the very name, are love games, relations and mere sex. Opening with the slow title track, produced by Timbaland, the record goes on with the first single off Sexyback, having an infectious rhythm that would make anybody move. On the funky track Sexy Ladies/Let Me Talk To You Prelude the combination of the bass line and Justin’s vocal bears the most resemble to early material from Prince, and the mid-tempo second single My Love with T.I. is remarkable for the memorable melody and a more soulful singing. Many are going to estimate the longest composition on the album called LoveStoned/I Think She Knows Interlude as the highlight: the song consists of two parts, starting playfully with an outstanding bass line and then turning into a monumental beating pop rock creation, whose guitar parts produce a really amazing effect. Just for a change the themes of heartache and revenge appear on the bitter mid-tempo ballad What Goes Around.../...Comes Around Interlude, and there is one more non-relations track Losing My Way devoted to the problem of drug addiction. Snoop Dogg appears on the final track Pose, making a solid ending of Futuresex/Lovesounds and adding a delicious portion of his soft rapping.

Justin Timberlake has found his line in the show business

The irrefutable idol of today’s youth and its female part especially, Justin Timberlake has made a grand step forward remaining himself more than anybody. On the other hand, he is evidently evolving and becoming a more confident vocalist and dancer able to improvise. His spontaneity is more noticeable during live performances, yet a careful listener can catch this trait of his on the album as well. His lyrics might not be deep and thought provoking, but it has enough honesty and straightforwardness to conquer the girls’ hearts and serve an example of eloquence for the guys. As for the melodies, Justin manages to compose them accordingly with his often falsetto vocals, which profitably shows him as an artful musician. He also plays keyboards and guitar at his concerts, plays various role in videos always attracting the most beautiful women. Listening to Justin’s songs one can only be glad that he has so little problems, enjoys his fame and fortune singing about what he probably likes most in life – girls’ attention. His provocative videos speak more than the texts of the songs, and the things are not likely to change in the nearest future. Justin Timberlake has found his line in the show business and is enjoying his life to its full, successfully sharing this pleasure with the audience.